Firstly, one must understand that Western Gothic (referred sometimes to as Gothic Western or Gothic Prairie) is not just a style; it is a narrative. Every cowboy boot or bovine skull tells a story – a grotesque fairy tale, if you will. Your abode must not merely look Gothic; it must feel Gothic. It must exude an aura of an ancient, brooding presence, as if it were the main character in a novel by the Brontë sisters.
The Western Gothic style demands drama, a sense of foreboding mixed with romantic melancholy. Think cactuses, elaborate stonework, and perhaps a gargoyle or two to ward off more than just the rain. The tall windows should gaze out like the hollow eyes of a skull, yet in their panes, the light dances with a certain vibrancy, a contradiction so beloved in Gothic architecture.
Within, your palette is one of shadow and whispers. The walls, draped in animal skin or tapestries or adorned with wallpaper that speaks of age and grandeur, should capture the essence of a time when the world was steeped in mystery. Rich, dark hues – think black, deepest darkest purples, blood reds, and midnight hues – will add to the atmosphere of otherworldly elegance.
Furniture must not merely be functional; it must be a conversation. An ornately carved mahogany table, chairs upholstered in animal skin with high arching backs, and bookcases that stretch to the ceiling, filled with the leather-bound stories of Poe, Lovecraft, and Stoker, will whisper tales of the macabre to any who enter.
Lighting is crucial. It must be dim, yet dramatic. Chandeliers, with their arms stretched out like the limbs of a skeletal tree, are perfect. Candles, flickering with the secrets of aeons past, are not just sources of light; they are keepers of stories, each flame a ghost dancing in the darkness.
Do not forget the modern amenities, but cloak them in the garb of the Gothic. A television, for example, could be hidden behind an ornate panel, or set within a cabinet that resembles an altar.
Lastly, a Gothic remodel is not complete without a touch of the personal macabre. This could be anything from a collection of Victorian-era medical equipment to a display of rare, morbid curiosities. It should be something that gives the space its soul, its unmistakably unique character.
In conclusion, to remodel in the Western Gothic style is to embark on a voyage through time and imagination. It is to create a space that is not just a home, but a living, breathing piece of art. It is, a symphony of the sublime and the terrifying, played out in wood, bone, hide and shadow.